That Teetering Stack of Books I Read in 2022 and 2023 (ish)

I love reading books, and I learned at least in time for graduate school to love writing about the books I read. My intention, these last two years or so, was to keep blogging about the books I read, as I had done sporadically for a while, then more methodically here, here, and here.

Those posts were fun to write, and they were well received, and the routine was simple enough. When I finished a book, I stacked it in a particular place until I had written about it here. Well, the stack has grow too large. I haven’t taken time to write about the books since September 2022, and I was playing catch-up then.

So today we catch up. I’ll list some books in passing but stop to chat about most, knowing full well I won’t do justice to any of them. Sixteen are fiction and grouped accordingly. Seventeen are nonfiction and separated into books about writing and others.

Books I’ve Read Lately (14 of Them)

Lately I’ve been finishing books I started reading in the last year or two — and enjoyed, but left unfinished. Today I’ll tell you about some of those, plus some books I finished more quickly, without leaving them to languish for months or years.

Meanwhile, the poster child for my problem is still unfinished: Victor Hugo’s Les Miserables (first published in 1862). I got about 150 pages in, loved it, and stopped. I recently restarted from the beginning. I’m further in now, but I still have over 1,200 pages to go; it’s the unabridged translation. I’m still loving it, but it’ll be a while before I can report completion.

Among the books I’ve finished, I read some just to read them. Others I read for research, because I’m attempting, as time permits, to learn the art, craft, and business of writing fiction. I enjoyed most of the books I list below in printed form and the rest as audio books.

After I decided this topic might make a fun blog post, I asked myself why I wanted to write it. There was time enough to wonder; some of my writing languishes unfinished for months, like my reading.

On reflection I don’t think my motive is to dazzle you with the breadth and depth of my reading; I know too many people who read far more than I do to be impressed with myself in this way, or to think you’ll be impressed. Besides, if I were trying to impress you, I’d probably exclude at least two or three of the books I’m about to mention. You’ll know which, I think, when you get to them.

It’s more a matter of my enthusiasm for books in general, for some (not all) of these particular books, and for people who read books. When I read a book, I want to talk about it. You’re welcome to join me.

Chris Cleave’s Everyone Brave is Forgiven

Two novels I’ve read in the past year stand head and shoulders above the rest.

The first is Chaim Potok’s The Chosen, published in 1967. The only surprise here, if you know my literary tastes, is that it took me nearly half a century to pick up and read this classic exploration of religious life. There are certain gaps in my literary experience, I readily admit — but this is no longer one of them.

(Another conspicuous gap is J. D. Salinger’s The Catcher in the Rye (1951). I know it is had for both good and evil, and was banned within my lifetime in a certain Washington school district for being part of a communist plot. All the same, a young writer I met at lunch a few weeks ago talked me into reading it sooner rather than later. I’m too old, among other things, to be drawn to it for its rebellion and teenage angst, but it has other charms. After reading just the first two pages, I’m inclined to appreciate — and to study — the first-person narrative voice. But I digress.)

The second highlight of this year’s novel-reading is Chris Cleave’s Everyone Brave Is Forgiven, first released not five months ago. Cleave’s first three novels, which I haven’t read, were well received and have contemporary settings. This fourth offering is historical fiction, set in England and Malta during the early years of World War II — mostly before the United States joined the conflagration in December 1941.

Everyone Brave Is Forgiven, Chris Cleave

This book is delightful but substantial reading. Though often light-hearted, at times it is grimly realistic and personal about the physical, emotional, and moral horrors of war. It has some thoughts on race and class, but (thankfully) isn’t heavy-handed about them. This virtue displeased the subset of reviewers who declare even a brilliant novel disappointing, if it does not bludgeon the reader with proper and comprehensive modern views of any social issues it happens to touch.